It's stock and went exactly as I predicted it would, which truly hurts. The third act of this film is guilty of exactly that. A crime that films can commit is being "Bad", for sure, but a worse crime a film can commit is being "Boring". As it began to unfold, I thought "There's no way they'd go with something THIS stock and basic." Unfortunately, they do, and by the time the film is running-down its last 15-20 minutes, my intrigue had been sapped and I was left simply to watch a film that was going through the motions. A certain sequence in the film that looks absolutely SPECTACULAR is really the last time I connected with the film before a certain plot detail and twist begins to make itself apparent. After that, I think this film absolutely falls apart and loses everything I thought it had going for it. So it probably sounds like I really enjoyed this film thus far, correct? The problem is, I enjoyed the first TWO-THIRDS of this film. She does have a few slip-ups where you can hear her British accent come out.but other than that, she is a convincing central character and I bought every emotion coming out of her. Going hand-in-hand with this great cinematography is the surprising performance by Claire Foy, who is admittingly quite good in her role of a person you have to decide if you think is crazy or not crazy. The cinematography is its own style, and when a film can define itself with that sort of technique, it has certainly succeeded. To me, the experiment Steve Soderbergh tested here WORKED. The whole film looks like a fever dream, and unlike 'Tangerine' (The first feature film to be filmed on an iPhone), this film truly has a "reason" to be filmed in this style. Fluorescent lighting and angles look warped and distorted, as if our characters are living in a German expressionist film, close ups look terrifying as we see every emotional detail of these characters in sketchy quality that only a phone camera could really capture in full.
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I know I always use the term "nightmarish" to describe claustrophobic cinematography in films, but this film looks like a NIGHTMARE. So you probably will start asking yourself: "How does it look?" To me.I think the film would have been LESS interesting if it was filmed in the typical method of high quality digital cameras. By all accounts, this is as INDIE as a big name director can get. The budget also barely pokes over $1 million total. To explain: 'Unsane' was entirely filmed on an iPhone 7 camera in only ten days, which is incredible in that it was made entirely in secrecy by a big name director such as Soderbergh. And while this isn't the first time this sort of filming technique has been used for a film, I had to say, I was rather intrigued when I was sitting down for "Unsane", the new film by Steve Soderbergh ('Ocean's Eleven', 'Contagion', 'Magic Mike'). There's a part of me that absolutely adores it when a filmmaker goes the experimental route and tries something that's never really been done before. Her outbursts result in the repeated use of restraints and sedation. One day, Sawyer sees David Strine, her stalker, working as an orderly under the assumed name George Shaw. They trick people into voluntarily committing themselves as long as the patients' insurance companies continue to pay when insurance claims run out, the patient is "cured". Highland Creek is running a scheme to milk health insurance claims for profit.
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Another patient, Nate Hoffman, gives Sawyer an introduction to the place. Hawthorne says she is being kept for seven more days. After physical altercations with a patient and a staff member, Dr. She calls the police but they do nothing when they see the signed release. At her appointment, she unknowingly signs a release voluntarily committing herself to a 24-hour stay.
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She makes an appointment with a counselor at Highland Creek Behavioral Center. Sawyer finds she is still triggered by interactions with men as a result of her experiences. Sawyer Valentini is a troubled woman who moves away from home to escape a stalker.